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Alwadi

Fifty years, drawn by hand

Scope
Brand identity and packaging
Role
Art direction, visual identity & packaging
Client
Al Wadi, Poultry & FMCG · KSA
Studio
SERB
Year
2025

CreditA collaboration with SERB, who brought me in as Senior Art Director. I led the art direction, built the visual identity and designed the full packaging range. Ehab El-Hamzawy designed the logo, and the SERB team carried the rest of the rollout.

Al Wadi chicken packaging in turquoise, the brand's hand-drawn Arabic wordmark across the front
The story

Al Wadi has fed Saudi homes since 1975, but the brand on the shelf had stopped saying so. The rebrand starts with the word itself. الوادي is a valley, and the letters were drawn by hand until the curves came from the brand rather than from a typeface: the eye of the ya reads as an egg, its tail as a beak. Those same curves then set everything that followed, so the white cut across every pack resolves into the head of a chicken.

Draw the word first. Everything else follows its curves.
Result

A full identity: logo system and lockups, colour, Arabic type, the complete packaging range, display fridges, campaign lettering and the online store.

A roast chicken beside the Al Wadi الوادي Arabic logotype in green on pale turquoise
The hand-drawn الوادي wordmark annotated in Arabic, showing the egg shape in the eye of the ya and the beak in its tail
Sketch stage of the Al Wadi Arabic logotype, rows of hand-drawn الوادي variations working towards the final letterforms
The final Al Wadi logo: الوادي drawn by hand in turquoise above the Latin ALWADI

Fifty years

Al Wadi has fed Saudi homes since 1975. The problem was not that the brand was old. It was that the shelf had stopped saying so.

The rebrand had to put that back without throwing away what people already recognised.

Al Wadi rebrand before and after, the old green oval badge beside the new hand-drawn turquoise wordmark
The Al Wadi Arabic logotype in dark green on a flat turquoise field
The Al Wadi logo across the brand palette: deep green, turquoise, pale blue, cream, brown and sand

The pack

The white cut across every pack resolves into the head of a chicken, built from the same curves as the word.

The pack is not carrying the logo. At the size of a shelf, the pack is the logo.

Al Wadi chicken drumsticks tray, the white cut across the turquoise pack curving into the head of a chicken

Cut from the letter

The head of the chicken is the ya at the end of الوادي. On the chicken packs that letter is cut out of the colour, so the meat itself shows through the shape of it.

Two things happen at once: you see the product is fresh before you read a word, and what you are looking through is the brand.

Construction of the Al Wadi letterforms, the curves of the logo traced back to the body of a chicken

Different packs, one rule

A whole-chicken bag, a fillet tray, a wings tray and an egg tray are four different objects. A layout that works on one of them falls apart on the next.

So the system is not a layout. It is a cut taken from the letterforms, and it reshapes itself to whatever pack it lands on.

Al Wadi chicken pack with the negative-space cut marked out, showing the meat through the shape of the letter

The turquoise

The category crowds around the same colours, so the range moved to a turquoise of its own.

It holds on an open shelf and inside a chilled cabinet alike, which is where this range is actually met.

The full Al Wadi range: chicken fillet tray, whole chicken bag, local eggs tray and chicken wings in matching turquoise packaging

Everything after

Logo system and lockups, colour, the Arabic type, the full packaging range, display fridges, campaign lettering and the online store.

One rule held it together: draw the word first, and let everything follow its curves.

Al Wadi social campaign posts in Arabic for eggs and whole chicken, including a woman serving a roast chicken
Al Wadi campaign lettering: مغذى بأعلاف طبيعية drawn as a flowing Arabic calligraphic line
Al Wadi brand guidelines spread showing logo, packaging, social posts, bilingual Arabic and English type, and the colour palette
Credits(03)
Art direction, visual identity & packagingMustafa Khaled
Logo designEhab El-Hamzawy
Identity rolloutSERB team
Next projectAMA Architects
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